Friday, February 28 — Thursday, March 6

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[Venue Directory] • Local Criticism: [Cine-File] [Chicago Reader]

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Always check the exhibitor’s website for last-minute changes.
We strive for accuracy, but things can move fast in filmland!

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Friday 2/28

2:30 PM
Music Box Theatre: Wes Anderson Anthology
Bottle Rocket — Wes Anderson — 1996 — 92 min
35mm from Sony Pictures Repertory

5:00 PM
Music Box Theatre: Wes Anderson Anthology
Bottle Rocket — Wes Anderson — 1996 — 92 min
35mm from Sony Pictures Repertory

7:00 PM
Doc Films: Tim Burton: King of Halloween
Big Fish — Tim Burton — 2003 — 125 min
35mm from Swank

7:15 PM
Music Box Theatre: Wes Anderson Anthology
Rushmore — Wes Anderson — 1998 — 93 min
35mm from Swank

7:00 PM
Block Cinema: Picturing Fame
Rebecca — Alfred Hitchcock — 1940 — 130 min
35mm from the BFI

9:30 PM
Music Box Theatre: Wes Anderson Anthology
Bottle Rocket — Wes Anderson — 1996 — 92 min
35mm from Sony Pictures Repertory

9:30 PM
Doc Films: Tim Burton: King of Halloween
Big Fish — Tim Burton — 2003 — 125 min
35mm from Swank

midnight
Music Box Theatre: Midnights
Donnie Darko — Richard Kelly — 2001 — 113 min
35mm

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MARCH

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through 3/9/14
Tuesday: 10:00 AM – 8:00 PM
Wednesday – Sunday: 10:00 AM – 5:00 PM
Museum of Contemporary Art: The Way of the Shovel: Art as Archaeology
which “traces the interest in history, archaeology, and archival research that defines some of the most highly regarded art of the last decade.”
including “Message from Andrée”, a 16mm installation by Joachim Koester.

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Saturday 3/1

11:30 AM
Music Box Theatre: Matinees
Fly-By-Night — Robert Siodmak — 1942 — 74 min
35mm from Universal Pictures

2:00 PM
Block Cinema: The Left Front in Film
Salt of the Earth — Herbert J. Biberman — 1954 — 94 min
35mm

3:00 PM
Gene Siskel Film Center: Jacques Demy: Heart of the New Wave
Donkey Skin — Jacques Demy — 1970 — 90 min
35mm from Janus Films and the Institut Français

7:00 PM
Doc Films: New Releases
Wadjda — Haifaa al-Mansour — 2012 — 98 min
35mm from Sony Pictures Classics

7:30 PM
Chicago Filmmakers
IAN CURRY: FILM IS NOT DEAD
featuring work by Chicago-based filmmaker Ian Curry, whose work “celebrates the sensuality, magic, and history of the physical medium of 16mm film”
[DETAILS]

9:30 PM
Doc Films: New Releases
Wadjda — Haifaa al-Mansour — 2012 — 98 min
35mm from Sony Pictures Classics

10:00 PM
Music Box Theatre: Wes Anderson Anthology
Rushmore — Wes Anderson — 1998 — 93 min
35mm from Swank

midnight
Music Box Theatre: Midnights
Donnie Darko — Richard Kelly — 2001 — 113 min
35mm

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Sunday 3/2

11:30 AM
Music Box Theatre: Matinees
Fly-By-Night — Robert Siodmak — 1942 — 74 min
35mm from Universal Pictures

1:00 PM
Doc Films: Tim Burton: King of Halloween
Big Fish — Tim Burton — 2003 — 125 min
35mm from Swank

3:45 PM
Doc Films: New Releases
Wadjda — Haifaa al-Mansour — 2012 — 98 min
35mm from Sony Pictures Classics

4:00 PM
Music Box Theatre: Wes Anderson Anthology
The Royal Tenenbaums — Wes Anderson — 2001 — 109 min
35mm from Swank

7:00 PM
Music Box Theatre: Wes Anderson Anthology
The Life Aquatic with Steve Zissou — Wes Anderson — 2004 — 118 min
35mm from Swank

9:45 PM
Music Box Theatre: Wes Anderson Anthology
The Royal Tenenbaums — Wes Anderson — 2001 — 109 min
35mm from Swank

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Monday 3/3

7:00 PM
Music Box Theatre: Wes Anderson Anthology
The Life Aquatic with Steve Zissou — Wes Anderson — 2004 — 118 min
35mm from Swank

9:45 PM
Music Box Theatre: Wes Anderson Anthology
The Life Aquatic with Steve Zissou — Wes Anderson — 2004 — 118 min
35mm from Swank

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Tuesday ¾

4:30 PM
Music Box Theatre: Wes Anderson Anthology
Rushmore — Wes Anderson — 1998 — 93 min
35mm from Swank

6:00 PM
Gene Siskel Film Center: The American New Wave
Hold Me While I’m Naked — George Kuchar — 1966 — 15 min
Sins of the Flashapoids — Mike Kuchar — 1965 — 43 min
16mm from the Film-Makers’ Cooperative
followed by a lecture from professor Bruce Jenkins of the School of the Art Institute

7:00 PM
Doc Films: Hong Kong Master: The Innovative Kung Fu of Lau Kar-leung
Disciples of the 36th Chamber — Lau Kar-leung — 1985 — 89 min
35mm from the American Genre Film Archive

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Wednesday 3/5

5:00 PM
Music Box Theatre: Wes Anderson Anthology
The Royal Tenenbaums — Wes Anderson — 2001 — 109 min
35mm from Swank

6:30 PM
Chicago Filmmakers at Columbia College Chicago – Hokin Hall
IAN CURRY: FILM IS NOT DEAD
featuring work by Chicago-based filmmaker Ian Curry, whose work “celebrates the sensuality, magic, and history of the physical medium of 16mm film”
[DETAILS]

7:00 PM
Cinema Borealis, 1550 N Milwaukee Ave, 4th floor
DAMAGE CONTROL: THE FILMS OF ADAM PARADIS & JB MABE
“From Super 8 to 16mm to 35mm, Paradis & Mabe calculatingly careen between film formats and cinematic styles.”
[DETAILS]

7:00 PM
Doc Films: Brian De Palma: Virtuosity and Ecstasy
Carlito’s Way — Brian De Palma — 1993 — 144 min
35mm from Universal Pictures

7:30 PM
Music Box Theatre: Wes Anderson Anthology
The Darjeeling Limited — Wes Anderson — 2007 — 91 min
35mm

9:45 PM
Music Box Theatre: Wes Anderson Anthology
The Darjeeling Limited — Wes Anderson — 2007 — 91 min
35mm

10:00 PM
Doc Films: Brian De Palma: Virtuosity and Ecstasy
Carlito’s Way — Brian De Palma — 1993 — 144 min
35mm from Universal Pictures

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Thursday 3/6

5:00 PM
Music Box Theatre: Wes Anderson Anthology
Rushmore — Wes Anderson — 1998 — 93 min
35mm from Swank

6:00 PM
Gene Siskel Film Center: Jacques Demy: Heart of the New Wave
Donkey Skin — Jacques Demy — 1970 — 90 min
35mm from Janus Films and the Institut Français

7:00 PM
Doc Films: Sisters in Cinema: African American Women Filmmakers
Pariah — Dee Rees — 2011 — 86 min
35mm from Swank

7:00 PM
Music Box Theatre: Wes Anderson Anthology
Moonrise Kingdom — Wes Anderson — 2012 — 94 min
35mm from Focus Features

9:00 PM
Doc Films: Cage Uncaged: A Nicolas Cage Retrospective
The Wicker Man — Neil LaBute — 2006 — 102 min
35mm

9:00 PM
Music Box Theatre: Wes Anderson Anthology
Moonrise Kingdom — Wes Anderson — 2012 — 94 min
35mm from Focus Features

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through 3/9/14
Tuesday: 10:00 AM – 8:00 PM
Wednesday – Sunday: 10:00 AM – 5:00 PM
Museum of Contemporary Art: The Way of the Shovel: Art as Archaeology
which “traces the interest in history, archaeology, and archival research that defines some of the most highly regarded art of the last decade.”
including “Message from Andrée”, a 16mm installation by Joachim Koester.

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NOTE: The Vic Brew & View is still all-film: websitetwitter

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